Photos of stilllife


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24 Seconds ago

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49 Seconds ago

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1 Minutes ago

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Spotlight on STILL 2019 Major Sponsor saso.creative: Following the resounding success of Still 2017, saso.creative is proud to be a Major Sponsor of Still: National Still Life Award 2019. We are believers in the importance of bringing the arts to the wider community, as both entertainment and as a mirror to and critic of prevailing cultural norms. It’s how society progresses. We are honoured to be part of the staging of this exhibition, and look forward to supporting the arts and art initiatives in Coffs Harbour and surrounds for years to come. saso.creative. Creative. Thinking. - Nanette Backhouse & Sam Chapman, saso.creative https://sasocrea #stillnationalstilllifeaward #still2019 #coffsharbour #coffscoast #stilllife #art #contemporaryart

1 Minutes ago

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2 Minutes ago

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2 Minutes ago

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4 Minutes ago

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4 Minutes ago

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4 Minutes ago

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4 Minutes ago

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5 Minutes ago

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Posted @withrepost@fondationbernardaud Susan Nemeth at the "Céramiques gourmandes" exhibiton 🙌 on view at the Fondation Bernardaud until March 28, 2020 - 27, avenue Albert Thomas, Limoges (France) 🔝 click the link in bio to find out more... . “My sculptures refer at one and the same time to European porcelain compotiers and tureens, to still lifes, and to the symbolic fruits and vegetables of vanitas paintings. I am interested in the signs of fragility, vulnerability and individuality exposed in the handmade object. These imperfections are crucial for me; they reveal the quintessence of the object. Interacting with the material is a two-way process. My practice of making, destroying and remaking parallels cycles of decay and renewal. I build, soak, push, squeeze, break, cut, tear and repair. To destroy and rebuild causes a lack of control, which adds motion to the making.” . « Mes sculptures font référence à la fois aux compotiers et aux soupières de porcelaine européenne, aux peintures de natures mortes et aux symboles des fruits et légumes des vanités. Je m’intéresse aux signes de fragilité, de vulnérabilité et d’individualité qui s’expriment dans un objet fabriqué à la main. Ces imperfections sont essentielles pour moi puisqu’elles révèlent la quintessence de l’objet. Interagir avec le matériau est un processus à double sens. Je suis des cycles de fabrication et de destruction. Je construis, trempe, pousse, serre, casse, coupe, déchire et répare. Détruire puis reconstruire crée un manque de contrôle, ce qui ajoute une énergie et du mouvement à la fabrication. » . Artist @susan_nemeth # @fondationbernardaud # #ceramiquesgourmandes @schoolgalleryparis @helenehuret75 #exhibition #contemporaryart #ceramic #ceramics #contemporaryceramics #naturemorte #vanite #stilllife

7 Minutes ago

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灰色

7 Minutes ago

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8 Minutes ago

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Afternoon snacks.

8 Minutes ago